In a recent statement, creator Steven Knight confirmed that Peaky Blinders will extend its narrative beyond the forthcoming film, igniting speculation about the possibility of a new series.
In an interview with BBC Breakfast on Tuesday, he expressed that the progress made on the movie appears “fantastic” and is set to be “a very fitting way to end this part of the Peaky story.”
During an inquiry from presenters Jon Kay and Sarah Campbell regarding his reference to “this part,” Knight responded, “It’s not over, let’s just put it like that.” While an official announcement remains under wraps, it is clear that the Peaky Blinders universe is set to expand further.
The writer and producer appeared on the show to promote his latest Disney+ period drama, A Thousand Blows, featuring Stephen Graham in the lead role.
The acclaimed BBC TV series Peaky Blinders won a BAFTA and aired six seasons from 2013 to 2022. A forthcoming film on Netflix is set to explore the narrative of Tommy Shelby and his notorious Birmingham crime syndicate further.
Oscar-winner Cillian Murphy is set to reprise his lead role in the upcoming project, joined by an ensemble cast that features Graham, Sophie Rundle, Ned Dennehy, Packy Lee, and Ian Peck, along with Rebecca Ferguson, Tim Roth, Jay Lycurgo, and Barry Keoghan.
“We have assembled the finest British actors in one location, including Stephen,” remarked Knight.
“The footage I am reviewing is sure to impress. It truly is an extraordinary experience.”
In an appearance on Radio 4’s Today programme, Knight identified himself as a “BBC loyalist,” even as he prepares to launch his new period drama A Thousand Blows on Disney+.
In his latest creation, Graham takes on the infamous boxer Sugar Goodson role, navigating the perilous realm of illegal boxing set against the backdrop of 1880s Victorian London.
The narrative centres on two friends hailing from Jamaica, Hezekiah Moscow, portrayed by Small Axe star Malachi Kirby, and Alec Munroe, played by Francis Lovehall, as they navigate the gritty world of bare-knuckle boxing in the capital.
In this pivotal moment, Hezekiah encounters Mary Carr, portrayed by Erin Doherty of The Crown fame. Carr leads an all-female criminal organisation called the Forty Elephants and seeks to leverage Hezekiah’s skills for the benefit of her gang.
In response to a question from Today presenter Nick Robinson regarding the feasibility of producing such a show at the BBC, Knight stated, “Peaky is a BBC show, and there was no issue with making that at the BBC.” As you are likely aware, I have a strong allegiance to the BBC.
Working creatively with the BBC is a passion of mine. It stands out as a unique destination. The BBC should assert itself on the global stage alongside streaming platforms, a presence that seems less pronounced than it could be.
He went on to say, “There are financial concerns.” The BBC has long been recognised for its ability to effectively adapt and optimise its resources. The BBC is currently collaborating with me on another series, and this opportunity emerged unexpectedly from a different avenue.
A harsh and gripping new drama
Knight explores the intersection of multiple true stories in his latest drama, collaborating with executive producer, broadcaster, and historian David Olusoga. The narrative poses a compelling question: what might have transpired had Hezekiah Moscow and Mary Carr crossed paths?
“He remarked that the most compelling narratives often remain untold for reasons that elude understanding.”
Knight stated that he aimed to tackle the class issue within the series, noting that it was more prominent during that period than the concerns surrounding gender and race.
“Individuals in the East End, regardless of gender or race, experience the harsh realities of cold and hunger,” he remarked.
“The central conflict in A Thousand Blows, I believe, revolves around the tension between East and West,” he remarked.
In a glowing five-star review, Benji Wilson of the Telegraph remarked that Knight’s “brutal new drama may be his best yet.”
“The 19th-century bare-knuckle boxing series on Disney+ is a standout in the realm of television, captivating audiences in every possible way.”
In a recent review, Adam Bloodworth of The Standard rated the show four stars, describing it as a “fantastically entertaining stew.” He noted the chaotic and gruesome elements, highlighting moments where limbs are severed in the ring and bones crunch reminiscent of cornflakes.
Tinge Krishnan and Nick Murphy’s directorial approach presents a gritty yet whimsical maze of shadowy alleys and rundown pubs. Meanwhile, the script penned by Steven Knight exudes confidence, though it frequently leans towards minimalism; in this world, a glance can convey volumes, but when characters like Goodson speak, their words command attention.
Nicola Austin of Empire awarded the film four stars, describing Graham’s transformation into Goodson as “incredible.”
“While it may not consistently deliver a complete knockout, A Thousand Blows undeniably makes an impact, thanks to strong lead performances, an engaging plot, and an intriguing historical backdrop,” she stated.
In a recent four-star review, Morgan Cormack from the Radio Times remarked, “While comparisons to Peaky Blinders are inevitable, this boxing drama stands out as its entity.”
Disney+ is set to premiere the first series of A Thousand Blows in the UK on 21 February, while production on a second series has already been finalised.
