Raj Kapoor, often referred to as the “greatest showman of Indian cinema,” was a prominent filmmaker, producer, and actor whose contributions have left a lasting impact on the landscape of Indian films.
Nearly forty years after his passing in 1988, he continues to be celebrated as one of India’s most cherished icons.
Kapoor launched his film career during the period following India’s independence. The artist’s early work frequently reflected a socialistic undertone, capturing the prevailing mood and aspirations of the nation during that era.
Historian Sunil Khilnani remarked, “Kapoor brought romance, sexuality, song and soul to Indian socialism” in his work Incarnations: India in 50 Lives, part of a 2015 BBC Radio 4 series that explores the influential figures in India’s history.
Celebrations are set to unfold nationwide this Saturday, commemorating what would have been his 100th birthday and paying tribute to his lasting legacy.
A retrospective featuring 10 of his iconic films is set to be screened in 40 cities and 135 cinemas across India this weekend.
Shrishti Nath Kapoor, the son of renowned actors Prithviraj Kapoor and Ramsarni Kapoor, adopted the name Ranbir Raj Kapoor. As a child, he made his acting debut in the film Inquilab, released in 1935.
Before his rise to prominence on screen, Kapoor developed his skills off-camera by assisting filmmaker Kidar Sharma, serving as an art director at his father’s Prithvi Theatre, and taking on minor roles.
His emergence in the industry was marked by the film Neel Kamal (1947), which set the stage for a remarkable career that balanced artistic vision with widespread popularity.
In 1948, Kapoor established the renowned RK Films studio, a hallmark of blockbuster cinema, and garnered international recognition.
He made his directorial debut with Aag in 1948, demonstrating his multifaceted talent as an actor and filmmaker in significant works such as Barsaat in 1949, Awaara in 1951, Shree 420 in 1955, and Sangam in 1964. Among the notable films that have garnered attention are Mera Naam Joker (1970), Bobby (1973), Satyam Shivam Sundaram (1978), and Ram Teri Ganga Maili (1985).
